Orchestral
For Orchestra [9.5’]
Recorded by the New Zealand Symphony Orchestra as part of the 2021 NZ Composer sessions
Version for string orchestra, harp, piano and percussion [9.5’]
Premiered by Yale Philharmonia April 2021
For orchestra [8’]
Written for Auckland Philharmonia Orchestra, New Zealand
Sing Like No-One Is Listening (2015)
For orchestra and choir [3’]
Commissioned by the Rhode Island Philharmonic Orchestra, as part of Carnegie Hall’s LINKUP Education Program
Chamber
For guitar and soprano recorder [5’]
Commissioned by Dylan Lardelli. Supported by Creative New Zealand and the Nicholas Tarling Charitable Trust.
Everything Feels Different Now (2022)
For sinfonietta [10’]
Commissioned by Stroma. Supported by the Nicholas Tarling Charitable Trust.
For marimba and violin [15’]
Commissioned by the Chamber Music New Zealand Trust. To be performed by Ensemble Gô
For alto flute and viola [7’]
Commissioned by Ensemble Klangrauschen. Supported by Creative New Zealand Toi Aotearoa
For brass quintet [9’]
Personified River: Whanganui (2017)
For mixed ensemble [7’30”]
Premiered at the Aspen Music Festival by the Aspen Contemporary Ensemble
Piano trio [7’30”]
Premiered at VIPA Festival, Valencia, Spain by B3:Brouwer Trio
An Interminable Unwinding (2015)
Alto Saxophone, Electric Guitar, Accordion, Percussion [4’30”]
Premiered in Composit New Music Festival, Reiti, Italy by Ensemble COMPOSIT
Soprano, Violin, Violoncello, Piano [3’30'“]
Poem by Philip Dacey
Premiered at the Berklee Performance Center, Boston, Massachussets. Awarded Best Artsong, Berklee Words & Music Festival, 2015
Solo & DUO
Cavea (2017)
For solo harpsichord [3’30'“]
Written for Robert Fleitz. Premiered in Tribeca, NYC
Parsed (2020)
For solo trumpet
For piano (four-hands)
Film
Morning Calm (2015)
Film score for the Short Film ‘Morning Calm’, Sundance 2015 Film Entrant